Where do agency hours go that clients never pay for?
Agencies sell time and ideas, and they lose a surprising amount of both to the machinery around the work. A kickoff call has to become a brief. The brief has to become a statement of work and a production plan. Every week the client wants a status update. Every month a retainer report or campaign performance report is due, pulling results from ad platforms, analytics, social scheduling tools and the CRM. And every Friday someone chases the studio for timesheets that are half guesswork by the time they are filled in.
Account managers and producers carry most of it. Strategists and creative directors carry more than they should, because the brief and the report both need their thinking and nobody else can write it quickly.
Why is so much agency work done twice?
Agencies are good at recording things and poor at reusing them. The client call is recorded, then written up. The write-up is turned into a brief, then summarised again for the studio. Results live in five dashboards, then get screenshotted into a slide deck and explained in paragraphs that sound much like last month's. Time is tracked in the tool where the work happened and then re-entered into the timesheet system from memory.
Each of those second passes feels small. Together they are why a retainer that looks profitable on paper runs over, and why senior people are in reporting decks when they should be in the work.
Which agency processes are the strongest candidates?
Monthly and campaign reporting
The most common starting point. Results are pulled from each platform on a schedule, set against the targets agreed with the client, and drafted into the agency's own report template with commentary on what moved and why. The account lead edits the narrative and approves it. Client reporting sets out how this works in more depth.
Calls into briefs and actions
Kickoffs, reviews and feedback rounds produce decisions that need to reach the studio accurately. Rebuilding meeting notes and follow-ups turns a call into a structured brief or change note, a client recap email and a task list, all ready for someone to check.
Scopes and statements of work
A statement of work is usually last year's version with the numbers changed. A rebuilt scope documents process drafts it from the pitch, the brief and the agency's standard deliverables and assumptions, so what is sold matches what the studio can make.
Time capture
For agencies that bill by the hour or track retainer burn, timesheet capture proposes entries from calendars, project boards and file activity, and each person confirms their week rather than piecing it together from memory.
Has Aldbry built anything like this before?
Yes. The team has built and shipped four systems that are running now. One of them is process automation, built across an agency, running from ideation through content production to publishing. That work is why we start from the whole flow of a job, not just one screen in it.
What should stay with people?
The ideas, the craft and the client relationship. The system does not decide the creative route, write the campaign line, pick the edit or tell a client their idea will not work. It also does not approve anything: content for publication and every client document goes through the named person who owns it.
There is a compliance angle as well. Advertising in the UK is held to the CAP Code, enforced by the ASA, and many clients have their own brand and legal sign off. Claims, disclaimers and regulated product copy are checked by people who know those rules. Client data flowing through reporting tools is handled under UK GDPR and the confidentiality terms in each client contract.
How do you size the prize?
List the non-billable hours account and project staff spend on reports, briefs, scopes and timesheets in a normal week. Multiply by headcount, by the blended rate you charge clients, and by about 46 weeks in a working year. That gives the fee income the agency is currently spending on its own admin. The calculator does it for you, and the audit recommends the first process to rebuild.
What happens across the 30 days?
We start by shadowing the account team through one real cycle, whether that is a month of reporting or a brief from kickoff to studio, and listing every source, template and approval. The second and third weeks rebuild it on your templates, tone of voice and platforms, tested on live client work. In the fourth week the team is trained and it becomes the normal way of working, with 30 days of support once it is live.